SON OF POP opens Oct. 27 at the Fine Arts Center
A 40-year career retrospective of artist Floyd D. Tunson
The Colorado Springs Fine Arts Center presents Floyd D. Tunson: Son of Pop, a career retrospective one of the most highly regarded and influential artists and art teachers in the Rocky Mountain region over the past four decades. The exhibition opens Oct. 27 and runs through Jan. 20. There is an exclusive preview for Fine Arts Center members on Oct. 26 from 5-7 p.m., featuring a special panel discussion with the artist and FAC Museum Director on Blake Milteer at 5:30 p.m.
Tunson was born in 1947 in Denver; he lives and works in Manitou Springs. He taught art at Palmer High School from 1971-2000, instructing and influencing over 5,000 students during his tenure.
This will be Tunson’s first major survey of his life’s work to-date addressing concepts such as cultural identity, American social history, pop culture, art history, and the beauty of pure abstraction. The exhibition centers upon the bold installations Hearts and Minds, Delta Queen, Haitian Dream Boats, and Pop-up Rodeo and is organized to reflect the confluence of Tunson’s themes and media over four decades. An accompanying catalogue will include an essay by Pulitzer Prize-winning poet Yusef Komunyakaa.
“Tunson is a master of visual satire, but, from the moment we met, I also sensed his gift of cool deliberation.” – Poet Yusef Komunyakaa
The Pop in the title refers both the artist’s father (Curtis Oscar David) and the artist’s affection for Robert Rauschenberg, Jasper Johns and Andy Warhol. The exhibition reflects the scope of Tunson’s career and work. He has achieved a rich and diverse body of work via media such as painting, sculpture, photography, and printmaking – often combining the language of these various media in single works.
Other works in the exhibition relate to the bold installations, yet speak of their own aesthetic and conceptual concerns. Included are the Endangered series’ beautifully-rendered portraits of African-American youth, the Nubian series’ abstract dialogue with the crossroads of Africa, and the Synchro-Mesh series’ reflection of Tunson’s travels in the American south. Tunson’s Remix and Universal Bunnies series extend images and themes the artist has addressed since the 1970s with an equally critical and reverent eye.
Tunson says that from one direction he sees “the terror of chaos, man’s inhumanity to man, mortality, and the unknown. From another direction, the human condition seems like a magnificent, orderly evolution of extraordinary beauty” and he states that the totality of his work reflects his “quest to comprehend and express these forces and their interconnectedness.”
“You will experience all the beauty, intensity, humor, and toughness in Tunson’s work.” — Blake Milteer, FAC Museum Director
“By the time Son of Pop opens, I’ll have been working on it with Floyd for five years. The exhibition will benefit from a lot of time sitting in front of the art, listening to Floyd’s thoughts on the work and its origins, and exchanging ideas with Floyd and his associate Wylene Carol. One of the most wonderful experiences has been to see the new art Floyd has made in the past several years. This recent work pulls threads from throughout Floyd’s art over the decades in amazing visual and conceptual ways. It has been an exciting curatorial experience for me to transform my ideas, selections, and orchestration of the exhibition based on inclusion of the new work.
“Floyd looks to the challenge and provocation of some tough subjects but, perhaps necessarily, interweaves them with craftsmanship and expression of astounding beauty. Our goal has been to curate an exhibition that profoundly celebrates that dynamic relationship.”
— Blake Milteer, FAC Museum Director
The Floyd D. Tunson: Son of Pop is supported by El Pomar Foundation, The Anschutz Foundation, The Bee Vradenburg Foundation, Elizabeth Firestone Graham Foundation, KRCC, KKTV, Colorado Springs Independent and the members of the Fine Arts Center.